There are three, progressive Open Voicings Study lessons currently in the series
Open Voicings Study
These are excellent fake books, published by Hal Leonard Corporation, that you will enjoy having for reference for any standards you want to study or play. We use it in the Open Voicings Study Group. You must have this book to participate in the study group.
Go to the page,
for more excellent Hal Leonard fake books and others that I also recommend
Read chord charts with
open-voiced jazz chords
Here is what piano students are saying about the
Fake books for the Open Voicings Study Group.
Purchase here. We study from charts in this book.
Want to know how to play cocktail piano by chord concept ? Read from fake books?
When you join the study group, along with the video lessons you will receive periodic additional information about open voicings,
piano techniques and arranging. As a student, you can correspond with me directly with questions about the video lessons.
No lead sheets or printed music will be provided in the study, so you must have the fake book described below.
This study group is similar to a subscription class series, but there is no monthly payment or registration. You only buy each new lesson if you want to proceed. The only requirement is that you have the Hal Leonard, Real Vocal Book so that you can study from
the charts that I will be discussing. I do not send or provide any printed or digital music. You must provide proof of purchase of the printed fake book or Kindle version by providing a photo of the book or receipt for it.
For more information about the study or the tunes we will be learning, please write me directly at Glenrose88@yahoo.com
Contact me : firstname.lastname@example.org
The term “cocktail music” conjures up a lot of images. Generally it is associated with that now bygone era of class, associated with high society from the 1920’s thru the early 1960’s. But cocktail still remains cool and enjoyed in certain social settings today. Cocktail piano means to play in a pleasant manor while people are enjoying evening cocktails and making conversation in a social setting anywhere, be it at a corner bar, cocktail lounge, private party, wedding, company event or restaurant. Playing for diners in a restaurant is also referred to as “dinner music’ and should be played quietly so as not to interfere with conversation or digestion. There are many ways to play cocktail style piano. I have been able to survive the ups and downs of my career by having multifaceted music skills. I play a wide variety of styles in classical, jazz, band and solo stage playing. I can incorporate a lot of this versatility into my playing when I’m on cocktail gigs. I have a few favorite or personal styles that I default into naturally. One of them is to play in a clean, soft, sensitive, classical jazz style that sounds quite controlled and arranged. Another is to open up and play in an uncontrolled, splashy style with a quasi stride effect at times. You’ll be able to hear some of what I’m trying to describe in the video recordings below and the CD following them. If you find my cocktail styles appealing you can get some inside details on what I am doing in my video lesson, “Cocktail Piano Arrangements“, where I attempt describe the voicings and techniques I use in various standards as I play them down.
For more information about the study or the tunes you will be learning, please write me directly at Glenrose88@yahoo.com
Open Voicings Study
Chord players . . .
Open Voicings Study
Let me play some relaxing cocktail piano for you.
About the study group. . .
The pianists studying in the group learn how to read and play standards from lead sheets from a fake book, using chord concept. They learn to create self-made arrangements that are pleasing and correct, combining melody with good chord voicings. We begin by using simple jazz chords, split with an open-voicing technique to support the melody line. This is the first step to creating a professional cocktail piano sound.
Hard copy Kindle digital version
Good evening, Glen!
I am simply loving the open voicings classes! They are not easy nor difficult, they are just perfect for me. And you have the ability to turn everything easy! Step by step, it’s wonderful! I am learning everything I have always wanted to learn. There are many many teachers on the internet, but you have the art of teaching!
Heloisa, Belo Horizonte, Brazil
You are putting everything into the Big Picture - along with the practical application of the theory. It has been fun learning but now even more so since you are demonstrating my goal: playing lead sheets. Just wanted to thank you again for all the tips on Open Voicings. Your approach has brought several breakthroughs in my daily piano.
Mike in Redondo Beach, California
I just watched your recent video on Open Voicings for Autumn Leaves. It is a terrific instructional video. You explain and demonstrate everything so clearly.I especially loved the work you did on the right hand---playing the melody and adding the 3 and 7. I think this is the first time that I really understood how to begin doing that. Also, at the very end--playing the song in different styles: swing, rolling chords, bossa nova-- that was wonderful. Thank you for putting this stuff out there.
Best regards, Ken
Greetings from Switzerland.
Your method to teach, to show and demonstrate is excellent, your pace is quite right for me and I am astonished what I have achieved in such a short time. I need to say, that I never ever had so much fun and interest in Jazz Piano before.
From my perspective It is essential that I see (and hear) you playing these jazz standards utilizing simple concepts and having it sound like jazz. As I was watching it. I was waiting to see if you were going to actually play it from beginning to end and making it sound like something I would be willing to play for family and friends, and you did. Now, I can work at getting my physical skills to a point where I can do the same thing.
Check this out!
Slow down the videos to study them more closely with these helpful apps.
I have been hearing from a student of mine about an app he uses to slow my video lessons down so he can study them more closely. The App's retains the pitch while slowing the video itself down This way one can see more precisely where my hands are moving in case they are moving too fast for you. It's called, Transcribe+
Here's what he says about it. . .
I used to use Amazing Slow Downer. I think it was with a CD player? Transcribe+ is on the iPad / iPhone and works so well on a tablet-touch interface. For me it has replaced Amazing Slow Downer..
Usually I don’t need it because you explain so clearly. Sometimes though I will loop and slow down a passage so I can be sure to repeat it enough to drill it into the hands. What the program does is to give users complete control over the video and audio speed. That way, you can slow down the performance as much as you want and learn to copy the performance note-by-note without changing the pitch. I learned from Transcribe+. for example, that in your Christmas Song performance you used 10ths a lot in the left hand. And you often skipped the 5th in the left hand and played only root and 10th. I also noticed where you timed the RH melody to coincide with the LH chords. I found this stuff out by applying Transcribe to your video.
Mike in Redondo